Fahkin' Voluptuousness

geeksngamers:

"DC Bombshells" Series Part II —
By Ant Lucia
(via @GeeksNGamers

Artist: -Website- | -Twitter- | Facebook
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leavemycamera:

jimmyjamjimjohn:

rubywhiterabbit:

One day we’ll be in a Marvel movie, sitting there as something doesn’t feel right. and as the credits start to roll we’ll know what it is. It will flash up on screen and our hearts will break. “In loving memory of Stan Lee”. There was no cameo in that movie. And there never will be again.

image

*distant shouting* Hey fuck that guy





I will always be with you.

I will always be with you.

posted 3 hours ago via zanegarretts · © arzes with 1,176 notes


I've heard them calling my name [x]


I want to skip the part where I don’t know, and get to the part I do


songofages:

typhonatemybaby:

mishawinsexster:

Friendly reminder that the Duckbill Platypus is not beaver sized but the tiniest most cutest patootie being in existence 

OH GOD

i thought these things were the size of like, large cats or something. ITS FUCKING TINY JESUS


dwarvesandbarrels:

Star Trek Minimalist Posters



ayajade:

cxline:

thoselonelyeyes:

fullmoon-unicorn:

the starry sky on the himalayas

CLICK ON THE PIC BRO

So amazing

Holy

ayajade:

cxline:

thoselonelyeyes:

fullmoon-unicorn:

the starry sky on the himalayas

CLICK ON THE PIC BRO

So amazing

Holy


floodxland:

ash-wednesday:

One of the many great things about Some Like It Hot is that it totally recognises what it’s like for women to be objectified. The first time you see Sugar, it’s that iconic pan-up jello-on-springs shot, where she is just The Object. But Jerry and Joe almost immediately learn what it’s like to be the object of sexual harassment. And Jerry, who here wants to be “a bull again”, by the end of the film has embraced his Daphne persona and realised that femininity isn’t just something to be either objectified or rejected.

tl;dr this film says more interesting things about gender and sexual politics than most media today.

You don’t know how much I love this movie.